Imad Abu Hashish

Art Collect - Imad-Abu-Hashish

Born in 1969, Imad Abu Hashish is a painter and graduate of the Institute of Fine Arts in Amman, Jordan (class of 1993). For more than fifteen years, his works have travelled the world — from Jordan to France, from Greece to Dubai — and are now part of private collections and international exhibitions, including the Venice Biennale (2019). But before the acclaimed artist, there was a child born in a refugee camp. Far from any carefree youth, he found in painting an escape, a breath, a refuge. For him, creating was never a choice — it was a vital necessity, an act of survival.

He conceives his canvases as sensitive compositions — they tell of his sorrows and joys, those of his people and the world, between intimate pain and universal hope. In his work, color is not meant to decorate: it heals, rebuilds, and vibrates. A true researcher of textures and chromatic emotions, Imad experiments relentlessly. Acrylic, paint gun, airbrush, geometric motifs, or floating forms — his technique is methodical, intuitive, and precise. His gesture moves between rigor and spirituality, in a quest that often borders on the dreamlike and the poetic.

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His compositions invite us on a sensory journey through a mythological universe that he builds and deconstructs endlessly. They evoke the world’s construction sites, ruins and rebirths — a primordial chaos where collective destiny seems to prevail over individual paths. The shadow of Palestine can be felt there, like a silent yet indelible imprint. Color becomes the language of a wounded memory, of humanity in struggle, of beauty in resistance.

Imad Abu Hashish does not paint to please but to speak, to transmit, to set free. His art seeks less to denounce than to awaken, less to shock than to make one feel. An admirer of Modigliani and of great Middle Eastern artists, he shares their taste for works that question both substance and form. For him, beauty is never mere ornament — it is a bridge to transcendence, a response to despair, an offering to love.

An active member of the Jordanian Association of Plastic Artists, he has participated in numerous collective events worldwide — Tunisia, India, Syria, Algeria, Spain, Greece… Among his most notable solo exhibitions are *Dancing on the Edge of the Void* at the French Cultural Center in Amman (2005), *Medart Labyrinth* (2011), and *Eternal Spaces* (Italy, 2018 and 2019). Each marks a luminous step in a journey defined by faith in art as a tool for healing, expression, and hope.