Aldéhy

We are never alone or lost — the force that guides the stars also guides us.

It was on a distant island in the South Pacific — in the archipelago then known as the New Hebrides, now Vanuatu — that Aldéhy began his artistic journey in 1975. Even before joining the École des Beaux-Arts in Toulouse in 1977, he had already explored Australia’s vast landscapes and embraced the idea that art would become his way of life, a necessity, a lifelong commitment. Since then, the United States, Japan, the Amazon, and other lands have nourished his figurative work, deeply rooted in emotional expression.

What sets Aldéhy apart, beyond his technical mastery, is his passion for creating thematic exhibitions, designed as visual narratives. He speaks of his “love of color and joy in transporting the viewer.” His paintings unfold like stories, each canvas a chapter. The eye wanders between poetry and precision, in a style reminiscent of graphic novels, yet imbued with a unique pictorial intensity.

Explore the artworks

His work was presented in a collective exhibition in Monaco curated by Art Collect®, marking a new milestone of recognition in his artistic journey.

art collect store - expo

A Selection of Available Works

5100,00 
9200,00 
4400,00 
5000,00 
Explore the gallery

An award-winning artist, Aldéhy stands out as one of the most sensitive portraitists of his generation. He doesn’t just paint faces — he listens to them. In his remarkable series Cathedrals of Light – Fourteen Moments in a Child’s Day, light becomes language, capturing fleeting intimacy: a glance, a smile, a pause. His lighting, sometimes artificial and intense, is never gratuitous — it exists to elevate the emotion and reveal the soul.

Aldéhy’s painting radiates: his touch is fine and delicate, always seeking balance. His interplay of shadow and reflection creates a unique visual vibration. While rooted in realism, his work is subtly infused with poetry. What he seeks is not a copy of reality, but a resonance — a feeling, a silent truth that echoes from within.

“Aldéhy resists confinement. His work spans paper, canvas, wood, and synthetic panels, using a wide range of media: acrylics, oils, charcoal, Chinese ink. His execution is precise, his curiosity ever alive. In the 1980s, he explored abstract forms, affirming a freedom of expression beyond trends or conventions.

Today, his art continues to evolve. He embraces digital creation, NFTs, and new formats that allow his painted works to be reinterpreted through the lens of modern technologies. These digital creations aren’t a departure — they’re an extension. An additional string to an already harmonious bow. Aldéhy doesn’t betray his style — he expands it.

A Radiant Body of Work, Between Tenderness and Precision. Certified by I-CAC since 2020 as a professional painter, Aldéhy continues to impress with both his exacting nature and his tender gaze. Each painting becomes a moment of truth, a fragment of humanity, a light captured at its most fleeting. He paints to bring forth the invisible, to narrate the subtle, to reveal what so often escapes us.

And if one word were to encapsulate his art, it might be this: presence.

 

TESTIMONIALS

Your paintings demonstrate an incredible technical mastery. You have a true gift for figurative art but, unfortunately, our time has moved away from figuration just as it has moved away from classical versification in poetry.

his is the sole reason why you don’t have institutional recognition, and not because you lack talent.

You must come to terms with it. Please excuse me for being so direct…

Michel Onfray
It's very beautiful. It's a painting that doesn't leave one indifferent. It's a back-and-forth between the Renaissance and today. Between the Annunciation of the one who will revolutionize the world and the Transmission of a world in full revolution — the image raises questions. It's an invitation to reflection. I really like this painting (Bulle de terre). I hope this Redeemer can experience the same journey as Leonardo da Vinci’s Salvator Mundi
Bravo

I am very impressed by your talent and experience. Each of your works has the potential to win the WORLD ART AWARDS or the AMERICAN ART AWARDS. The many paintings you attached particularly struck me, as they are exciting and original.

However, I want to inform you that acrylic portraits generally have a better chance of winning than oil portraits, simply because there are more oil paintings in competition. Likewise, male erotic paintings often have a better chance than female erotic paintings, for the same reasons.

Thom Bierdz